Dark Rum Nut Fruitcake

The DVD features the 50-minute documentary The World of the Dark Crystal, with interviews and illuminating behind-the-scenes glimpses. The VHS edition includes a shortened 15-minute version of the documentary. --Sean Axmaker

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

In his last completed role before his tragic death, Ledger is fantastic as the Joker, a volcanic, truly frightening force of evil. And he sets the tone of the movie: the world is a dark, dangerous place where there are no easy choices. Eckhart and Oldman also shine, but as good as Bale is, his character turns out rather bland in comparison (not uncommon for heroes facing more colorful villains). Director-cowriter Christopher Nolan (Memento) follows his critically acclaimed Batman Begins with an even better sequel that sets itself apart from notable superhero movies like Spider-Man 2 and Iron Man because of its sheer emotional impact and striking sense of realism--there are no suspension-of-disbelief superpowers here. At 152 minutes, it's a shade too long, and it's much too intense for kids. But for most movie fans--and not just superhero fans--The Dark Knight is a film for the ages. --David Horiuchi

Known today as a safe haven for New Yorkers yearning for relief from the stresses of their chaotic metropolis, history records that Central Park was built on a useless swamp, yet as the New York City skyline hurtled towards the sky over the last 150 years, making the city the most expensive real estate in the world, the park has remained untouched. Why? Civic pride? Perhaps, but the recent strange happenings in and around the park are casting doubt on that, doubts that require investigating.

The return of an iconic series

Paranormal PI Edward Carnby. View larger.

Stunningly spooky views of NYC. View larger.

The odd wildlife of Central Park. View larger.

A whole new inventory system. View larger.

Gameplay Based on Full Player Immersion
Packed full of action and vivid in its realism Alone in the Dark goes to the extreme to keep players engaged and immersed by plunging them into the heart of the action in real-time at every turn and challenging them to survive using full movement control. The goal here is to allow players to do or at least feel that they can do more or less whatever is possible in real life, within the game.

Need to avoid a blast of steam or an eruption of fire that has shot up in your path? You can simply side-step it or you can handle the obstacle with a little more panache by using the environment around you, for example by swinging around it using reachable pipes or wires. In another situation you may be challenged by attacking monsters. No problem. You can take the path of least resistance, again by side-stepping them or placing an obstacle between yourself and them, but if you are feeling like taking out a little aggression you can pick up a board, chair, box, etc. and have at it. Nearly anything that you come across that would be usable in real life is usable in game and can be wielded in several different ways.

In addition, game developer Eden Studios has done away with a few in-game conventions in favor of real life upgrades. Instead of old-fashioned health bars Alone in the Dark uses realistic body damage and physiological effects to show players how much damage has been done to Carnby by the new dangerous nightlife of Central Park. Basically this means if Carnby has been taking a licking he's going to be a little bloody. Monsters use sensory perception of all kinds to find their victims, so players need to keep aware of Carnby's physical state, as well as the impact he has on his surroundings. Also gone are traditional inventory systems that take players out of the game while you switch or check items in your possession, replaced by an in-game inventory system where items are carried in the folds of Carnby's trench coat. This allows you to stay in the action the whole time. Sticking with the realism theme, the number of items that Carnby can carry is limited, but since ingenuity is built into the system, items can be combined or their uses altered, mostly with tape, so players can adjust as challenges arise.

TV Style Intensity That Keeps You Hooked
Built around a unique television style episodic narrative game structure, the storyline of Alone in the Dark is split into a number of distinct 30-40 minute episodes, doled out one at a time as you play. This new way to progress through the storyline ensures that players can enjoy the game regardless of the amount of time they have available without ever feeling lost. Each time a saved game is launched, the episode will begin with a video summary of the previous episode to quickly re-immerse the player in the story, removing the need to remember where you were or what you were doing at the end of your last play session. In addition, every episode will also close with a nail-biting, cliff-hanger ending to rattle players' nerves. And when you choose to leave the game, a video teaser of the next episode will play to leave players always wanting more.

Vivid Photographic Rendering
Even on a bad day, and this will be a bad one, Central Park and New York City are something to see. With Game developer Eden's proprietary Twilight technology and rendering engine, players can expect to see everything from the City's famous landmarks to the manifestations of the evil that have been festering in Central Park come to life as if you were there. This lavishly detailed game world takes advantage of highly realistic and advanced cinematographic effects including depth of field, camera focus, numerous light sources, moisture, reflections and High Dynamic Range effects.

Whether it's the innovative game play, the unique episodic game structure, the advanced physics or the return of a ground-breaking protagonist recast in the modern era, Alone in the Dark holds something for players willing to take on the mysteries and dangers at the heart of Central Park.

The main editor area of the program is attractive, although it does remind us a bit of the role-playing games of the late 1980s. Our favorite perk was the Command Line Interface (CLI) button in the page header: this feature allows you to test single or small groups of commands without constructing an entire program. The online help system is multifaceted: it offers a "fast track" option for those with programming experience (or who are just impatient) as well as a more structured lesson plan.

The user manual is particularly friendly and witty in tone, and we appreciated the Further Tutorials pamphlet that accompanied the package. The initial tutorials cover basic program form, creating line objects, using color, and terraforming. The advanced tutorials examine everything from determining camera perspective to the use of fogs and backdrops, from explosions to bullets and monsters.

We first took DarkBASIC out for a spin with a simple text program, and then moved on to creating a simple 3-D game (unfortunately without conclusion). The package comes with a number of textures for floor, wall, and ceiling, as well as other objects like monsters, weapons, and the like. You're not limited to using only these: DarkBASIC covers how to import your own images and assets for use in your program. This package handles five types of media files: images (as bitmap files), sound (as WAV files), music (as MIDI files), animation (as AVI files), and object models. For each of these, you may specify the correct editor, ensuring a strong connection and compatibility between DarkBASIC and your selected applications.

We were very impressed with the media browser and accompanying contents: in this gallery-style view, you can check out the goblins, samurais, game sounds, streaming music, textures, and game screens (like the "game over" screen). Our only issue with DarkBASIC was that there wasn't a minimize option readily available, making it difficult to multitask with other projects we're working on (yet easy to get engrossed in our dreams of 3-D game generation).

Overall, DarkBASIC ran very smoothly after install and left plenty of resources free for other applications to continue running. In the end, we recommend DarkBASIC to future (and present) game-programming gurus for ease of use, quality, and the overall fun factor. --Emilie Herbst

About Columbia Sportswear
Founded in 1938, Columbia Sportswear Company has grown from a small family-owned hat distributor to one of the world's largest outerwear brands and the leading seller of ski-wear in the United States. Columbia's extensive product line includes a wide variety of outerwear, sportswear, rugged footwear and accessories. Columbia specializes in developing innovative products that are functional yet stylish and offer great value. Eighty-year-old matriarch Gert Boyle, Chairman of the Board, and her son, Tim Boyle, President and CEO, lead the company.

Columbia's history starts with Gert's parents, Paul and Marie Lamfrom, when they fled Germany in 1937. They bought a small hat distributorship in Portland, Oregon, and named it Columbia Hat Company, after the river bordering the city. Soon frustrated by poor deliveries from suppliers, the Lamfroms decided to start manufacturing products themselves. In 1948, Gert married college sweetheart Neal Boyle, who joined the family business and later took the helm of the growing company. When Neal suddenly died of a heart attack in 1970, Gert enlisted help from Tim, then a college senior. After that, it wasn't long before business really started to take off. Columbia was one of the first companies to make jackets from waterproof/breathable fabric. They introduced the breakthrough technology called the Columbia Interchange System, in which a shell and liner combine for multiple wearing options. In the early 1980s, then 60-year-old Gert began her role as "Mother Boyle" in Columbia's successful and popular advertising campaign.

The company went public in 1998 and moved into a new era as a world leader in the active outdoor apparel industry. Today, Columbia Sportswear employs more than 1,800 people around the world and distributes and sells products in more than 50 countries and to more than 12,000 retailers internationally.