Lonesome Man Chili
Posted by tgraddy at recipegoldmine.com May 30, 2001
4 pounds round steak
1/2 cup all-purpose flour
1 teaspoon salt
1/2 teaspoon cracked black pepper
5 tablespoons olive oil, divided
40 cloves garlic, peeled
1 cup beef broth or water
1/2 cup whiskey
6 to 10 dried small red chile peppers
Trim steak and cut into large chunks, about 1/2 inch square.
Combine flour, salt and pepper. Roll beef in mixture. Heat 4 tablespoons oil in a deep, heavy skillet. Brown meat on all sides. Remove meat from skillet.
Reduce heat and add 1 tablespoon oil and garlic; cook until garlic is golden. Add broth, whiskey and chile peppers to garlic. Put browned meat on top of garlic; cover and cook slowly until beef is tender, about 1 hour.
Makes 6 to 8 servings.
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Jamey is the co-writer of the CMA and ACM 2007 Song of the Year "Give It Away," recorded by George Strait. Trace Adkins, George Jones and Joe Nichols have also recorded his songs. But instead of sitting at home counting his royalty checks, Jamey Johnson recorded more than 40 songs during the past year.
Not content with providing hits for others, the singer-songwriter has a powerful drive to sing, record and perform.
"Writing is not enough for me," says this intense artist. "I did not come here to just be a writer. I live to play....I'm not here to take a stab at it. I am going to DO it."
Following a deep period of isolation and introspection, Jamey Johnson entered the recording studio in April 2007. Within months, Jamey emerged with That Lonesome Song, a collection of extraordinary compositions that is equally noteworthy for its lyrical craftsmanship and its strikingly original sound.
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Lonesome Crowded WestView This Product at AmazonThe opening track, "Teeth Like God's Shoeshine," explodes out of your speakers with sharp, see-sawing guitars and shouted vocals, an irresistible melange of angular rhythms and mighty, powerful dynamics. The rest of the songs are similarly pulled along by some unseen force, driven by an energy found in classic post-punk bands like Thinking Fellers Union Local 282 or Drunken Boat. Some reviewers have referenced the Pixies, and while that's not off the mark, this is more like the Pixies undergoing dental work--without anesthesia.
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The Trail of the Lonesome Pine was the first feature shot outdoors in three-strip Technicolor, and its exhilaration in forest and lake, mountain and cloud remains as fresh and privileged today as it must have been in 1936. Director Henry Hathaway, already a seasoned veteran, had a fine pictorial eye along with sturdy storytelling instincts; he knew just how to place his cast in dynamic settings without getting fussy about it (a talent still going strong 33 years later in
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This was Hollywood's fifth version of John William Fox's novel about a long-running Appalachian feud and its interruption by modernity in the form of a mining engineer (Fred MacMurray). The very young MacMurray, Henry Fonda (the scrappingest of the Tolliver clan), and Sylvia Sidney (as the cousin he loves) form an appealing romantic triangle, while elders Beulah Bondi and Fred Stone (the Tollivers) and Robert Barrat (patriarch of the rival Falins) nurse generations' worth of sorrows. Nigel Bruce is droll as MacMurray's colleague, Spanky McFarland represents the Great Smokies chapter of the Little Rascals, and hillbilly Greek chorus Fuzzy Knight gets to sing two peerless ballads, "Twilight on the Trail" and "Melody from the Sky." And if that eldest Falin boy seems familiar, add 20 years and a war bonnet and you've got The Searchers' Chief Scar, Henry Brandon (here Henry Kleinbach). --Richard T. Jameson
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Dead Man's Walk) and a TV series.
--Sean Axmaker
Lonesome DoveView This Product at AmazonRobert Duvall and Tommy Lee Jones star as Gus McCrae and Woodrow Call, aging cowboys and former Texas rangers and who organize a 2,500 mile cattle drive for one last great adventure in this excellent 1989 miniseries adaptation of Larry McMurtry's novel. The best friends, who steal the herd from a gang of Mexican cattle rustlers, drive their herd from Texas to Montana, battling horse thieves, angry Indian tribes, and a renegade half-breed killer named Blue Duck (Frederic Forrest) on a mission of revenge. The excellent cast also includes Robert Urich as cardsharp and former Ranger Jake Spoon, Anjelica Huston as McCrae's old flame Clara Allen, Danny Glover, Ricky Schroder, Diane Lane, Chris Cooper, D.B. Sweeney, Steve Buscemi, and even a small role for author Larry McMurtry. Australian director Simon Wincer shows a tremendous capacity for balancing sweeping drama and intimacy against the gorgeous landscape of the American Southwest, giving a grandly epic feel to the film despite its small-screen target and limited budget, and for forging memorable characters of even the smallest supporting parts. The heart of the drama belongs to McCrae and Call, memorably etched by Duvall and Jones as the last of the range romantics. In the age of revisionist Westerns, this excellent cattle-drive drama nicely maintains an old-fashioned feeling while still showing the dark side of the American West. Winner of seven Emmy Awards and responsible for two miniseries sequels (
Return to Lonesome Dove and
Dead Man's Walk) and a TV series.
--Sean Axmaker
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In his portrayal of the fervent relationship between the writer Sal Paradise and his outrageous, exasperating, and inimitable friend Dean Moriarty, Kerouac created one of the great friendships in American literature; and his rendering of the cities and highways and wildernesses that his characters restlessly explore are a hallucinatory travelogue of a nation he both mourns and celebrates. Now, to celebrate the fiftieth anniversary of Kerouac's landmark novel, The Library of America collects On the Road together with four other autobiographical "road books" published in the late 1950s and early 1960s.
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Road Novels are selections from Kerouac's journal, which provide a fascinating perspective on his early impressions of material eventually incorporated into
On the Road.
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