Out of This World Chili

Posted by bettyboop50 at recipegoldmine.com May 2, 2001

Source: My sister sent me this recipe for chile. This is one of her favorites.

Serves 12.

4 to 5 pound stew beef, cut into 1/2- to 1-inch cubes
2 large green bell peppers, diced
5 to 6 stalks celery, sliced in chunks
2 large onions (or Spanish) coarsely chopped
3 tablespoon fresh cilantro minced
4 chipotle peppers, minced
4 large mild chile peppers, skinned,
    seeded and chopped
2 (28 ounce) cans diced tomatoes, drained
8 garlic cloves minced, or to your taste,
    the more the better

Seasoning Mix
1 (15 ounce) can tomato sauce
1 can beef broth
2 tablespoons Worcestershire sauce
6 to 8 tablespoons chili powder
1 tablespoon salt
1 teaspoon pepper
1 tablespoon sugar
2 tablespoons ground cumin
1 teaspoon dried marjoram
1 tablespoon dried oregano leaves ( or
    Mexican if you can find)
2 tablespoons Masa Harina®
3 tablespoons tapioca thickener

Preheat oven to 250 degrees F.

Place beef, peppers and other vegetables in a large Dutch oven or large stock pot, mix well to combine, (do not brown meat). (If you have a slow cooker or crockpot use that and cook on LOW for 6 to 8 hours)

in a blender or food processor, add seasoning ingredients together and blend. Pour over ingredients and mix well.

Cover and place in oven. Cook for 5 to 6 hours or until beef is tender and sauce has thickened.

PS: I have a Revere electronic pressure cooker which I would use which would take no time at all to make.

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• Using keyboard shortcuts

True nondestructive, nonlinear editing
Final Cut Express 4 provides true nonlinear editing capabilities for the DV, HDV, and AVCHD formats. All editing is nondestructive to the original footage on your hard drive. Clips in Final Cut Express are merely pointers to the original source material, so any deletion or duplication of clips in the project, trimming changes, effects, or other alterations you make do not affect the source files themselves.

Editing tools at work
Professional-style editing means frame-accurate control over trimming your clips, more flexibility in making edits in the Timeline, and unlimited editing creativity. The editing tools in the palette include the following:

• Razor blade. Cuts a single clip into two pieces. This can be useful for quickly rearranging pieces of your sequence, deleting a section of a clip, applying an effect to a specific part of a clip, or moving a piece of a clip to the same location on another track.
• Ripple edit. Changes the duration of a clip. It moves the location of either the Out point preceding or the In point following an edit point. The duration of the clip to the left or the right of the edit point is shortened or lengthened to fit the new edit point without changing the location of the edit in the sequence.
• Roll edit. Changes both the selected clip and an adjacent clip. This type of edit adjusts the location of an edit point shared by two clips; the Out point of the first clip and the In point of the second clip are moved or rolled. This changes the location of the edit in the sequence as well as the duration of each clip. Roll edits are useful when you want to match the action of one clip with the action of another and need to find the right intersecting frames.
• Slip edit. Moves the In and Out points of a clip simultaneously while maintaining its duration and position in the edited sequence. Surrounding clips are not affected, just the range of frames in the clip. This is useful for adjusting footage you've edited into your sequence without moving it in the Timeline.
• Slide edit. Moves an entire clip along with the edit points to its left and right. The duration of the clip being moved stays the same, but the clips to the left and right of it change duration.
• Resize edit. Extends or shortens a clip by moving the In or Out point.
• Extend edit. Allows you to move an edit point between two clips quickly. This edit moves an edit point to the position of the playhead in the Timeline.

Refine Your Edits with Trimming
After you have made your initial edits and assembled your footage in the Timeline, you can refine your sequence. Trimming is used to fine-tune a sequence by adding or subtracting frames from the In or Out point of a clip. These small adjustments to your initial edits help to create smoother edits.

Trim Edit window
This window provides very precise control while trimming. It displays both sides of an edit--the outgoing clip before the edit point and the incoming clip that appears after it--allowing you to adjust your edit with frame-level accuracy. You can also use this window to trim a group of edits in multiple tracks at once (only one edit per track).

Dynamic and asymmetric trimming
Final Cut Express includes dynamic trimming in the enhanced Trim Edit window. When dynamic trimming is on, keyboard controls allow you to trim on the fly. Move the playhead using the J, K, and L keys to find new Out and In points for the selected edit point. If dynamic trimming is turned on in the General tab of the User Preferences window, the selected edit point moves to the new position of the playhead whenever you stop. In addition, Final Cut Express supports asymmetric trimming--an advanced technique that gives you a fast way to trim multiple clips in opposite directions.

Add Transitions and Effects
Final Cut Express gives you a suite of powerful tools for adding cool effects. And since you can use third-party FxPlug filter effects, your creative options are unlimited as well. Add a transition between clips. Use the Color Corrector to fix and match clips or to create a dramatic look. Control all effects and motion parameters with keyframes for professional looks and precise timing.

See it now with real-time effects
With the real-time engine in Final Cut Express, you get superb results quickly, without rendering. RT Extreme is an enhanced multistream, real-time effects architecture that lets you view your projects without rendering as you experiment with effects, transitions, composition, and filters. Final Cut Express 4 includes Dynamic RT, which adjusts resolution and frame rate on the fly for maximum real-time performance, letting you set it and forget it.

RT Extreme leverages the strengths of Mac OS X and the Intel or PowerPC processor to support a scalable number of video streams and real-time effects: The number of available video streams and real-time effects increases as processor speeds increase. Real-time video transitions and filters appear in bold in the Effects tab and in the Effects menu to indicate that they will play back in real time. The RT Extreme pop-up menu in the Timeline gives you several options for effects processing. You can choose between various modes that deliver either maximum simultaneous streams and real-time effects or guaranteed playback without dropped frames.

• Safe. In Safe mode, Final Cut Express provides guaranteed playback of real-time effects. The number of streams and effects is based on the capabilities of your system.
• Unlimited. In Unlimited mode, Final Cut Express uses every bit of processing power available, allowing you to stack up multiple streams of video. When Unlimited is selected, you can use nearly all of the more than 200 effects, filters, and transitions in real time.
• Dynamic RT. In Unlimited RT mode, you can choose the Dynamic setting for Playback Video Quality, Playback Frame Rate, or both. In Dynamic mode, resolution and frame rate are adjusted automatically, on the fly, so you always get the optimal real-time performance at the maximum quality possible. For example, Final Cut Express will play back your project at Full Frame Rate unless it recognizes a section of the Timeline that requires a lower frame rate for real-time playback. It will adjust for that section, then automatically return to Full Frame Rate once the section is done. Dynamic RT lets you set it and forget it, confident that you are always leveraging the maximum real-time performance of your CPU.

Smooth out your transitions
A transition is a visual effect used to change from one clip in your edited sequence to the next. Transitions, especially dissolves, generally give the viewer an impression of a change in time or location. Final Cut Express comes with a variety of transitions from which to choose, including cross-dissolve, page peel, cube spin, and gradient wipe.

Use color to create better images
The color correction filters in Final Cut Express provide precise control over the look of every clip. You can adjust the color balance, hue, saturation, black levels, mids, and white levels on individual clips. Check flesh tones and other key elements for consistency and accuracy in color. Evaluate and manipulate the brightness and color levels of clips in preparation for output to tape. All the tools needed to analyze and color-correct clips are included.

You can use the two-way color corrector to adjust the angle of hue and overall balance of an image. This filter can be combined with Image Control filters as well as Matte and Key filters. The assortment of filters makes Final Cut Express exceptionally powerful and flexible for corrective finishing work. The Color Corrector has numeric controls as well as visual user interfaces. All parameters can be changed over time through the use of keyframes. Both interfaces have Limit Effect controls, allowing you to isolate color correction operations to specific areas of an image based on chrominance, luminance, saturation, or any combination. There are a number of reasons to use the color correction filters included with Final Cut Express:

• Ensuring that a project's key elements look the way they should. The color correction tools let you make whatever adjustments are necessary to ensure that the colors and the flesh tones of people in the final edited piece look the way they did in reality.
• Balancing all the shots in a scene to match. With careful color correction, all of the clips in a scene can be balanced to match one another so that they look as if they happened at the same time and in the same place, with the same lighting.
• Correcting errors in color balance and exposure. The color correction filters provide an exceptional degree of control over the color balance and exposure of clips, allowing you to perfect your adjustments.
• Achieving a "look." With color correction, you have control over whether your video has rich, saturated colors or a more muted look. Such subtle modifications can alter the perception of the scene being played, changing its mood.
• Creating contrast or special effects. Using color correction, you can subtly accentuate differences. You can also create more extreme effects, such as manipulating the colors of an exposure to achieve a day-for-night look. You can even keyframe color changes over time; for example, gradually changing a clip from sepia-toned to full color.

FxPlug filters and effects
Final Cut Express comes with more than 200 transitions, filters, and effects, including over 50 new FxPlug plug-ins that use GPU-accelerated rendering. Bundled filters and effects range from standard items like dissolves, wipes, and blurs to more stylized FxPlug effects like Light Rays, Line Art, and Insect Eye. When you need even more creative options, Final Cut Express lets you expand your effects palette with optional third-party FxPlug support, the same plug-in architecture used by Final Cut Studio.

Copy, paste, and remove attributes
When working with large projects or sequences that contain repetitive effects, filters, and motion, it is often convenient to copy and paste the attributes from one clip to another (or others). Similarly, you can remove attributes from a clip or clips. You can paste keyframes as is or scale them to fit the duration of the clip on which they are being pasted. The following attributes can be copied, pasted, or removed from any clip.

Compositing and Titles
Final Cut Express provides powerful tools to manipulate, animate, or combine images. You can achieve impressive results by layering video clips or graphics files, such as multilayered Adobe Photoshop files, to create rich visual images and animations. You can also create outstanding titles with filters, effects, and compositing.

By combining two or more video tracks, also called compositing, you can create excitement with sophisticated special effects and visually rich imagery.

Final Cut Express supports a virtually unlimited number of video, text, and graphics layers.

All parameters of an object--such as size, rotation, corner distortion, and any applied effects--are also controllable using keyframes.

LiveType 2 is a full-featured, professional-quality titling application that allows you to create dynamic, animated titles quickly and easily.

Use Multiple Video Layers
Using multiple video layers is one of the simplest and fastest ways to add a professional look to your projects. By combining two or more video tracks, also called compositing, you can create excitement with sophisticated special effects and visually rich imagery. Using the virtually unlimited number of video tracks, make dynamic, composited video--like picture-in-picture, split-screen, and video collages. A sequence can be nested as a clip in another sequence, and any changes in a nested sequence ripple through all sequences that contain it. Edited sequences are fully changeable and can be nested for reuse again and again in multiple Timelines.

Seeing your effects and compositions in real time instead of waiting for them to render lets you experiment more and spend less time editing. The RT Extreme engine intelligently scales to the capabilities of your hardware, providing dramatically more real-time effects, transitions, and video layers--even when you are using HD footage or editing on a laptop computer. Dynamic RT adjusts frame rate and resolution on the fly, so you always get the maximum real-time performance.

Professional compositing results
Final Cut Express supports a virtually unlimited number of video, text, and graphics layers. You can import Adobe Photoshop files directly into Final Cut Express either as a flattened image or with all layers maintained on separate tracks. You can then combine your Photoshop graphics with video, apply animation and effects to the layers, and add additional titles and animated elements from LiveType.

Complete control of all effects, including motion
All video layers in Final Cut Express can have motion attributes added to them for dynamic compositing. Bezier and numeric controls enable you to change the position of layers, create motion paths with or without a curve, and adjust the acceleration of objects along a path, ensuring smooth, highly sophisticated results. To create motion for an object or video layer, you create a keyframe by clicking the Add Keyframe button, move to a new point on the Timeline, and then drag the object to a new location. A path is automatically drawn. Changing the spacing of the points along the path adjusts the acceleration of the item. Adjustments are made right on the path itself, providing direct feedback on how the animation will work. All parameters of an object--such as size, rotation, corner distortion, and any applied effects--are also controllable using keyframes.

Speak with Titles
Titling provides a finishing touch, and Final Cut Express has all the tools necessary to create beautiful titles, using the built-in tools or the bundled LiveType application. Keyframe and animate titles like any other object. Make text crawl, scroll, or appear in the lower third of the screen. You can even create animated type on effects or spin text in 3D space using the Boris 3D title generator.

LiveType
LiveType 2 is a full-featured, professional-quality titling application that allows you to create dynamic, animated titles quickly and easily. With LiveFonts--fonts with their own animated behaviors--plus full support for all system fonts and a way to create new effects, LiveType is simple enough for the first-time user and powerful enough for the professional.

LiveType comes with integrated LiveFonts, as well as easily adapted project templates, customizable keyframed effects, and a library of animated content. It also includes alpha channel support, dynamic individual character control, and frame-accurate registration with Final Cut Express projects. Professionally designed templates get your project off to a fast start (you can build and save your own templates as well).

LiveType templates combine the various elements available in the application, including LiveFonts, system fonts, and animated textures and objects, into ready-touse, customizable projects for your video.

LiveFonts
Developed specifically for video and designed by professional animators, LiveFonts let you type out sophisticated animated font styles as easily as you'd type out a system font. And because they're created with an alpha channel, LiveFonts key right over video.

Royalty-free content
LiveType comes with broadcast-quality animated textures and objects that you can use in your projects, allowing even nonanimators to produce professional-level content right out of the box. The textures can be used full screen, matted inside text or objects, or scaled down for use in lower thirds.

Customizable effects
Effects in LiveType are like digital building blocks--modular behaviors that include movement, transformation, and timing parameters. The more than 200 prebuilt effects that come with LiveType give you the power to add fades, zooms, rotations, and motion that ripple through your letters, and you can create your own styles by adjusting these effects in the LiveType interface. You can also use LiveType to create effects dynamically on the fly and even save them for use in future projects. Its unique approach to keyframe animation makes creating effects quick and easy.

Timing is everything
With LiveType, animation is easier than ever before. Each keyframe in an effect contains all the parameters for that moment in time, eliminating the time-consuming hassle of long keyframe stacks. And since LiveType treats every character of the word as a separate layer, powerful timing features such as sequencing give you the creative freedom to move single characters in a text block with individual timing elements, so you're not limited to blocks of text that fly around the screen as one image. The wireframe preview lets you see your work in real time.

Flexible and compatible
You can import clips from Final Cut Express complete with markers, so it's easy to synchronize your titles to important video and audio transitions in your video projects. LiveType also imports and exports all QuickTime-supported file formats, including Adobe Photoshop, JPEG, TIFF, and PICT.

A wide range of options
Final Cut Express supports direct Timeline file placement of LiveType projects, for a smooth and easy workflow. LiveType can create a QuickTime movie that you can import into your Final Cut Express bin like any other file, and creates files with or without an alpha channel, making them available to your Final Cut Express projects.

In addition, LiveType allows you to set up your own project size and resolution, so you can work in a custom setting of your choosing. It also supports all of your system fonts, including PostScript and TrueType fonts, making it possible to create an even wider spectrum of titling effects.

Audio
With Final Cut Express, you can edit, enhance, and adjust a video's audio tracks. Final Cut Express can mix up to 99 tracks and play back up to eight audio tracks in real time. You can add multiple tracks of music, sound effects, or voiceover quickly and easily.

Capture audio directly to the Timeline from a built-in or external microphone with the Voice Over tool.

Real-Time Audio Filters
Audio filters can be adjusted in real time as the track is playing, so you can hear your work in progress. This helps you experiment more and exercise more creative control over your projects. Final Cut Express includes a number of filters for adjusting your audio clips to be as strong, clear, and noise-free as possible. Filters can also be used to blend the clips in your audio mix to prevent the sound quality or tone of a particular clip from standing out.

• Soft normalize filter. This nondestructive filter scans the audio for the peak (loudest) sample level, then applies a gain filter that brings the peak to the level you request. This is ideal for achieving consistency in your audio soundtracks.
• Equalization filters. Use equalization filters to correct unnatural-sounding audio recordings by adjusting specific frequencies. For example, if your audio was recorded in a room that accentuates treble or bass, you can reduce those frequencies.
• Compressor/limiter and expansion filters. These filters allow you to adjust an audio clip's dynamic range after it has been captured. The compressor/limiter filter lets you adjust the dynamic range of an audio clip so that the loudest part of the clip is compressed to within a specified range of the softest part of the clip. The expansion filter raises parts of a clip that are too low.
• Hum remover. The hum remover lets you get rid of "cycle hum" (a low buzzing) that may have been introduced into your audio recording by power lines crossing your cables or by a shorted ground wire.
• Vocal DeEsser. This filter is essentially a specialized equalizer that reduces the "ess" sounds produced by a speaker with pronounced s's or a microphone that accentuates high frequencies.
• Vocal DePopper. The Vocal DePopper lets you attenuate the harsh "p" sounds that result from puffs of breath bursting into the microphone.
• Echo and reverb filters. These "effects" filters help you match foreground audio clips to the background in which they appear.
• Noise gate. The noise gate eliminates all sound below a specified volume threshold.

Precise Controls
There's no fumbling when trying to edit audio with Final Cut Express. Subframe audio editing down to 1/100 of a frame gives precise control over audio edits. Dynamic audio level meters provide instant visual information on the range of an audio track as it plays, and audio pan controls make it easy to work with stereo tracks during playback. In the Timeline, solo and mute controls allow you to isolate individual audio tracks. And no re-rendering is required when muted tracks are reactivated, so you save an incredible amount of time as well.

Voice Over Tool
Capture audio directly to the Timeline from a built-in or external microphone with the Voice Over tool. Create quick scratch tracks or voiceover work while editing a project. The Voice Over tool provides a countdown cue, and records before start and after stop to provide the recorded sound with handles.

Finding Your Audience
You've used Final Cut Express to put the finishing touches on your movie. You're done with editing, compositing, and color corrections. You've added effects, transitions, and titles, and you've created professional audio tracks. Now you have several options for sharing your finished project.

Print to Video
The Print to Video command sends your project out to videotape. This is useful when you want to record back to DV, create backup copies of your video project or connect your device to your home or other theater system for direct playback.

Create a DVD
Create named chapter markers in your video project. Use these markers to divide your video into navigable chapters in iDVD. Final Cut Express includes a workflow document that outlines the simple one-step process of bringing your movie into iDVD.

Export Video for the Web
Export projects using a wide range of QuickTime-supported codecs, including MPEG-4, for distribution via email or the web.

Whatever your chosen method of distribution, Final Cut Express has the features and power you need to advance your DV, HDV, and AVCHD moviemaking.

Microsoft Office 2008 for Mac Special Media Edition Upgrade

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Microsoft Office 2008 for Mac Special Media Edition. The power of the Office 2008 applications plus Expression Media, the powerful asset management tool to visually catalog, organize and present all of your digital assets. Simplify your work and visualize your success.

Five Great Reasons to Upgrade to Office 2008 Special Media Edition: Universal Binary Support: Office 2008 Special Media Edition runs natively on both Intel- and PowerPC-based Macs. Streamlined user interface: You'll quickly build professional, complex documents using Word 2008 Document Elements. With a visual gallery of document components in the new user interface, cover pages, tables of contents, and citations are just a click away. Your Mac, more compatible: Office 2008 Special Media Edition and Windows-based 2007 Office products share the Open XML file formats, the OfficeArt graphics engine and other compatibility tools. You'll be confident when sharing ideas and documents with colleagues across platforms. Media-rich documents in minutes: Great design is a click away with hundreds of new templates, SmartArt graphics, Publishing Layout View, and professional quality clip art and photos. Your media, well managed: Drag-and-drop digital asset management, batch conversion and tagging, even built-in archiving and backup capabilities help you manage over 100,000 files and hundreds of format types across multiple storage devices. Expression Media gives you more power to work and manage your digital assets. Which Version of Office 2008 is right for you? View this comparison chart.

Simplify Your Work
Your presentation will make an impact. Your documents will be professional. Your analysis will be insightful. And Office 2008 will be there.
The latest version of the industry standard for productivity software on the Macintosh platform, Microsoft Office 2008 for Mac is more powerful and easier to use. Office 2008 combines Microsoft Word for Mac, Microsoft PowerPoint for Mac, Microsoft Excel for Mac, Microsoft Entourage for Mac, and Microsoft Messenger for Mac and lets you easily create high-impact documents and seamlessly share your ideas with others, whether they are on the Mac or Windows platform.

What's New in Office for Mac?

• Universal versions of the most popular productivity applications on the Macintosh platform (Universal applications run natively on Intel- and PowerPC-based Macs.)
• Microsoft Office for Mac natively supports the Open XML file formats for compatibility with Windows-based 2007 Microsoft Office products.
• A redesigned user interface and powerful new tools for simplifying work, creating great looking documents, and exchanging ideas and information with others.

Highlights of Office 2008 for Mac

• Office 2008 is a Universal Binary, was built by Mac users for Mac users, and includes many features which take advantage of underlying technologies of the Macintosh platform.
• Office 2008 uses Open XML file formats for compatibility with Windows-based 2007 Microsoft Office products. XML file formats help reduce the risk of lost information due to damaged or corrupted files and also result in smaller file sizes--up to 75 percent smaller than comparable binary documents. Office 2008 for Mac is backward-compatible with earlier file formats and users can continue to use the older .doc, .xls, and .ppt binary formats.
• Elements Gallery is the foundation of the new user interface, and gives easy access to the most commonly used tools and templates. With the new UI, you'll harness the capabilities of Office for Mac more easily than ever before.
• Office 2008 includes OfficeArt, the powerful graphics engine also used in the Windows-based Office 2007 products. You get great cross-platform file fidelity and easy access to stunning visual and graphic effects.
• Your words will make an impact with the modern styling of SmartArt graphics, which makes transforming text and bulleted lists into professional diagrams and graphics one-click easy.
• A new Themes capability simplifies the process of applying a consistent look and feel across documents. Easily apply a complete set of colors, fonts, and effects to your Office 2008 documents, and change them as easily as changing your mind.
• Automator Actions for Workflows in Microsoft Office enables you to automate Office 2008 with more than 70 pre-defined actions built to simplify your work and extend your productivity. (Available in Office 2008 for Mac and Office 2008 for Mac Special Media Edition.)

Entourage 2008, the hub of Office 2008, helps it to happen, one task at a time.

Enjoy powerful new tools, over 100 designer templates, rich themes, and an intuitive user interface in Word 2008.

Entourage 2008
Your e-mails will spark ideas, you'll schedule meetings where creativity abounds. Entourage 2008, the hub of Office 2008, helps it to happen, one task at a time.

• My Day keeps you connected to the action. Schedules, tasks, and priorities in one easy, standalone interface. Time will have no choice but to be well-managed.
• Use color-coded categories, status indicators, and flexible To-Do list management humble even the most hectic schedules.
• Office 2008 for Mac and Office 2008 Special Media Edition enable users to access their Microsoft Exchange server accounts with Entourage.
• Improved Junk E-Mail filtering capabilities and phishing protection tools help shield your inbox from the scourge of junk. Your inbox will breathe a sigh of relief.
• Projects submit to your superior management skills when you unleash the power of Project Center, With project details like e-mail messages, documents, schedules, and contacts in one convenient place, Project Center helps keep your information--and your stress--under control.

Word 2008
Powerful new tools, over 100 designer templates, rich themes, and an intuitive user interface in Word 2008 will help you to make your ideas look as good as they are.

• When you turn blah into brilliant, Publishing Layout View will elevate the way you think about Word 2008. This new specialized and customizable workspace lets users create incredibly rich documents such as newletters, flyers and brochures without a degree in design.
• Great looking document construction won't require a hard hat. New Templates, Themes, and Document Elements like cover pages and bibliographies make creating professional-looking output a snap.
• Your words will make an impact with the modern styling of SmartArt, which makes transforming text into high-quality graphics and diagrams as easy as one click.
• Dynamic Guides will help you keep all of your words and graphics in line and on point.
• Mass mailings will have a personal touch and Word 2008 Mail Merge Manager will guide you step by easy step.

Inspire your audience's imagination with compelling visuals and engaging layout in PowerPoint 2008.

Analyze, share, and manage your data, and easily create persuasive charts and thought-provoking graphs for powerful results with Excel 2008.

PowerPoint 2008
Your presentation is a story. PowerPoint 2008 will illustrate it. Inspire your audience's imagination with compelling visuals and engaging layout.

• Great ideas will get their graphic due with SmartArt graphics in PowerPoint 2008. Start with a blank slide or a bulleted list, and, with a click of a button, you'll have a stunning chart, table, map, or diagram.
• Designer Themes help you give your presentation a creative look, simply and quickly.
• The new Object Palette allows quick access to all your shapes, art, symbols, and pictures--including iPhoto files--in one easy-to-access space.
• Dynamic Guides will help you place and resize your graphic element to create professional-looking presentations in a snap.
• You'll lay out custom designs to showcase your unique content with custom layout capabilities in PowerPoint 2008.
• PowerPoint 2008 integration with Apple Remote Control lets you concentrate on your words, not your keyboard. Now control your presentation and engage your audience unleashed from the podium.

  Excel 2008
  It's a numbers game. With Excel 2008, analyze, share, and manage your data, and easily create persuasive charts and thought-provoking graphs for powerful results.

  • Ledger Sheets in Excel 2008 make tracking finances, inventories, even invoices and portfolios easy with preformulated spreadsheets and automatic calculations.
  • Charting improvements artfully convey the message your data is telling. You'll see your numbers in a whole new way.
  • The new prebuilt functions tackle the most common tasks and make creating error-free complex conditional formulas easier.
  • Quick access to formulas makes functions more functional with Formula Builder in Excel 2008.
  • Your data will know virtually no limits. Excel 2008 now supports over 16,000 columns and over 1 million rows.
  • Whether you're an Excel expert or a complete novice, Excel 2008 Formula AutoComplete simplifies your calculations by providing a dynamic pop-up menu so you can select and complete your formula.

  Messenger for Mac
  Convenience is the name of the game for Mac users who want to communicate instantly with family, friends and colleagues from one convenient place. Messenger for Mac is now a Universal application, and gives you more ways to share what's on your mind or on your plate.

  Use Messenger for Mac to instantly check the status of project team members, streamline workflow by sending documents directly from Word, or offer questions or comments on document changes instantly.

  • Yahoo! Interoperability will allow personal users to connect and message with Yahoo! Messenger for Mac users.
  • Your intentions will never again be in doubt when you create your own custom emoticons in Messenger for Mac.
  • Spelling Checker is now included in Messenger for Mac.
  • Let the world know your tastes when you display your iTunes selection with the new "What I'm listening to now" feature.
  
  
  
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