1 cup cold butter
1 2/3 cups granulated sugar
1/4 teaspoon salt
5 eggs
2 cups all-purpose flour, sifted
1 tablespoon vanilla extract
1 teaspoon fresh lemon juice
Preheat oven to 300 degrees F. Using a bit of butter, coat only the bottom of a 9-inch tube pan; dust with flour (sides should remain ungreased so the cake will adhere to them better when rising).
Put butter in a large mixing bowl and work it with a wooden spoon until it become shiny, about 5 minutes. Add sugar and salt; continue to work sugar and butter together. When well-mixed, stir in a circular motion until the mixture loses most of its gritty feeling. Adding eggs will dissolve the rest.
Add eggs one at a time, stirring well after each addition. After third egg has been incorporated, add 2 tablespoons flour. Add the last 2 eggs and continue to stir, then add the rest of the flour in 4 parts, stirring well after each addition. Beat in vanilla extract and lemon juice.
Spoon batter into prepared tube pan and smooth top. Bake for 40 minutes, then increase temperature to 325 degrees F. After 5 more minutes of baking, gently remove pan from oven, bend your ear to it and listen for bubbling or a slight sound. If you hear something, put it back in the oven to bake another 10 minutes, then remove again and listen. Let it bake another 5 minutes if necessary, until the cake is quiet. Or insert a skewer into cake; if it comes out clean, the cake is done.
Remove cake from oven and run a knife around the sides of the pan; turn out onto a wire rack, then turn cake face up. Cool, uncovered, for 15 minutes, then cover with a clean towel (otherwise the cake will become dry and hard).
When cool, store in a clean cake tin.
iRobot 110 Dirt Dog Workshop Robot
Goodbye Yellow Brick Road
Yellow Submarine (Soundtrack)
Yellow Submarine (Original Motion Picture Soundtrack)
Yellow SubmarineWhat emerges is a vivid time capsule of the late '60s and a minor milestone in animation. The music represents the quartet's zenith--Rubber Soul, Revolver, and Sgt. Pepper's Lonely Hearts Club Band. The story line, cobbled together by producer Al Brodax and a committee of writers, is a broad, feather-light allegory set in idyllic Pepperland, where the gentle citizens are threatened by the nasty, music-hating Blue Meanies and their surreal arsenal of henchmen, with the Beatles enlisted to thwart the bad guys. Visually, designer Heinz Edelmann mixes the biomorphic squiggles, day-glo palette, and Beardsley-esque portraits of Peter Max with rotoscoped still photographs and film; Edelmann's animated collages also nod to Andy Warhol and Magritte in properly psychedelic fashion, which works wonderfully with such terrific songs.
High orthodox Beatlemaniacs can still grouse that the animated Fab Four are (literally) flat archetypes, but that's missing the sheer bloom of the music or the giddy, campy fun of the visuals. Making sense of the story is second to submerging blissfully in the sights and sounds of this video treat. --Sam Sutherland
Yellow Earth
She Wore a Yellow Ribbon
Star Trek: The Original Series - Season One RemasteredIn 1966, Star Trek set out to boldly go where no series had gone before, beginning a three-year mission that led to a franchise that would last decades. Here at last is the first season of the original series all in one box, 29 episodes in their original broadcast order. That means starting with "The Man Trap," and soon followed by "Where No Man Has Gone Before," the second pilot filmed and the first one starring William Shatner as Captain Kirk. The many highlight episodes include "Balance of Terror" and "Errand of Mercy" (introducing, respectively, the Romulans and the Klingons), the two-part "The Menagerie" (which recycled footage from the original pilot, "The Cage," which featured Christopher Pike as the captain of the Enterprise and is not included in this set), "Space Seed" (introducing Ricardo Montalban's Khan character), and "The City of the Edge of Forever" (written by sci-fi giant Harlan Ellison and considered by many the best-ever episode of the series).
The first-season DVD set is supplemented by 80 minutes of featurettes incorporating 2003-04 interviews with Shatner, Leonard Nimoy, other cast members, and producers, and some 1988 footage of Gene Roddenberry. The longest (24 minutes) featurette, "The Birth of a Timeless Legacy," examines the two pilot episodes and the development of the crew. Slightly shorter are "To Boldly Go... Season One," which highlights key episodes, and "Sci-Fi Visionaries," which discusses the series' great science fiction writers (most famously in "The City of the Edge of Forever"). Shatner shows off his love of horses in "Life Beyond Trek," and, more interestingly, Nimoy debunks various rumors in "Reflections of Spock." As they've done for many of the feature-film special editions, Michael Okuda and Denise Okuda provide a pop-up text commentary on four of the episodes filled with history, trivia, and dry wit. It's the first commentary of any kind for a Star Trek TV show, but an audio commentary is still overdue. The technical specs are mostly the same as other Trek TV series--Dolby 5.1, English subtitles--but with the welcome addition of the episode trailers. The plastic case is an attempt to replicate some of the fun packaging of the series' European DVD releases, but it's a bit clunky, and the paper sleeve around the disc case seems awkward and crude. Still, the set is a vast improvement both in terms of shelf space and bonus features compared to the old two-episode discs, which were released before full-season boxed sets became the model for television DVDs. --David Horiuchi
John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) The Movies:
A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns, The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made.
The landmark Western Stagecoach began the legendary relationship between Ford and Wayne, and became the standard for all subsequent Westerns. It solidified Ford as a major director and established Wayne as a charismatic screen presence. Seen today, Stagecoach still impresses as the first mature instance of a Western that is both mythic and poetic. The story about a cross-section of troubled passengers unraveling under the strain of Indian attack contains all of Ford's incomparable storytelling trademarks--particularly swift action and social introspection--underscored by the painterly landscape of Monument Valley. And what an ensemble of actors: Thomas Mitchell (who won a Best Supporting Actor Oscar as the drunken doctor), Claire Trevor, Donald Meek, Andy Devine, and the magical John Carradine.
Fort Apache stars Wayne as a Cavalry officer used to doing things a certain way out West at Fort Apache. Along comes a rigid, new commanding officer (Henry Fonda) who insists that everything on his watch be done by the book, including dealings with local Indians. The results are mixed: greater discipline at the fort, but increased hostilities with the natives. Ford deliberately leaves judgments about the wisdom of these changes ambiguous, but he also allows plenty of room for the fullness of life among the soldiers and their families to blossom. Fonda, in an unusual role for him, is stern and formal as the new man in charge; Wayne is heroic as the rebellious second; Victor McLaglen provides comic relief; and Ward Bond is a paragon of sturdy and sentimental masculinity. All of this is set against the magnificent, poetic topography of Monument Valley. This is easily one of the greatest of American films.
She Wore a Yellow Ribbon, the second installment of Ford's famous cavalry trilogy (which also includes Fort Apache and Rio Grande), continues the director's fascination with history's obliteration of the past. It features one of John Wayne's more sensitive performances as Capt. Nathan Brittles, a stern yet sentimental war horse who has difficulty preparing for his impending military retirement. It's a film about honor and duty as well as loneliness and mortality. And Oscar-winner Winton C. Hoch beautifully photographs it in Remington-like Technicolor tones. The combination of melancholy and farce (Victor McLaglen makes a perfect court jester) evokes comparisons to Shakespeare. Best of all, the scene in which Wayne fights back tears when receiving a gold watch from his troops is unforgettably bittersweet. If you view the whole trilogy, it actually makes sense to save this for last.
It's hardly shameful that Three Godfathers ranks as the slightest John Ford Western in a five-year arc that includes My Darling Clementine, Fort Apache, She Wore a Yellow Ribbon, Wagon Master, and Rio Grande. The story had already been filmed at least five times--once by Ford himself. Just before Christmas, three workaday outlaws (John Wayne, Pedro Armendáriz, Harry Carey Jr.) rob a bank and flee into the desert. The canny town marshal (Ward Bond) moves swiftly to cut them off from the wells along their escape route, so they make for another, deep in the wasteland. There's no water waiting for them, but there is a woman (Mildred Natwick) on the verge of death--and also of giving birth. The three badmen accept her dying commission as godfathers to the newborn. Motley variants of the Three Wise Men, they strike out for the town of New Jerusalem with her Bible as roadmap. Ford's is the softest retelling of the tale, but it's all played with great gusto and tenderness--especially by Wayne, who's rarely been more appealing. Visually the film is one knockout shot after another. This was Ford's first Western in Technicolor, as well as his first collaboration with cinematographer Winton Hoch. What they do with sand ripples and shadows and long plumes of train smoke is rapturously beautiful. It's also often too arty by half, but who can blame them?
Eugene O'Neill loved The Long Voyage Home, the feature-length adaptation of his one-act sea plays, with intelligent bridging material written by Dudley Nichols and a final movement, both hellish and elegiac, appropriate to the onset of World War II. John Ford directed, in his more self-consciously arty vein but with no loss of power or passion. The focus is on the working seamen aboard a merchant ship making its way from the Caribbean to New York harbor and then England, with dangerous cargo on the transatlantic leg. Thomas Mitchell (who had won a 1939 Oscar in Ford's Stagecoach) gives a career-best performance as Driscoll; Ian Hunter plays the enigmatic shipmate known only as "Smitty"; Ford regulars Barry Fitzgerald, John Qualen, Ward Bond, Arthur Shields, and Joseph Sawyer fill key roles; and the top-billed John Wayne contributes a surprisingly effective supporting performance as Ole, a gentle Swedish giant who really belongs on a farm somewhere. Although neglected in recent years, this movie has a permanent place of honor in one of the most amazing three-year creative streaks any director ever had.
John Ford had a big emotional investment in The Wings of Eagles, and his favorite star John Wayne rewarded the director with one of his strongest performances. The subject is Frank "Spig" Wead, Naval aviation legend turned Hollywood screenwriter, who had written Ford's very good 1932 movie Air Mail and his magnificent WWII elegy They Were Expendable (1945). Ford was fond of exploring the theme of "victory in defeat." Wead's life was made to order for that. The hell-raising flyboy shenanigans, and his flailing marriage to a scrappy Irish redhead (The Quiet Man's Maureen O'Hara reporting for duty), were abruptly curtailed by a fall that left him with severe spinal damage. He should never have been able to walk again, but he fought his way back to limited mobility and built a new career as a writer. And when WWII broke out, Wead made a key contribution to the Pacific air war. It would be satisfying to report that The Wings of Eagles is a triumph--that the broad comedy of the early reels cuts brilliantly against the raw pain of the Weads' marriage, the grief of a family broken and mended and broken again, the film's specters of death and deep frustration. There are powerful moments, but the low comedy is very low, the visual style sometimes stark but more often just drab, and the screenplay is very choppy about the passage of time.
They Were Expendable is the greatest American film of the Second World War, made by America's greatest director, John Ford, who himself saw action from the Battle of Midway through D-day. Yet it's been oddly neglected. Or perhaps not so oddly: for as the matter-of-fact title implies, the film commemorates a period, from the eve of Pearl Harbor up to the impending fall of Bataan, when the Japanese conquest of the Pacific was in full cry and U.S. forces were fighting a desperate holding action. Although stirring movies had been made about these early days, they were gung ho in their resolve to see the tables turned. They Were Expendable, however, which was made when Allied victory was all but assured, is profoundly elegiac, with the patient grandeur of a tragic poem. "They" are the officers and men of the Navy's PT boat service, an experimental motor-torpedo force relegated to courier duty on Manila Bay but eventually proven effective in combat. Their commander is played by Robert Montgomery, who actually served on a PT and later commanded a destroyer at Normandy (he also codirected the breathtaking second-unit action sequences). John Wayne's costarring role as Montgomery's volatile second-in-command initially looks stereotypically blustery, but as the drama unfolds, Wayne sounds notes of tenderness and vulnerability that will take Duke-bashers by surprise. They Were Expendable is a heartbreakingly beautiful film, full of astonishing images of warfare, grief, courage, and dignity. This is a masterpiece.
Yellow SubmarineWhat emerges is a vivid time capsule of the late '60s and a minor milestone in animation. The music represents the quartet's zenith--Rubber Soul, Revolver, and Sgt. Pepper's Lonely Hearts Club Band. The story line, cobbled together by producer Al Brodax and a committee of writers, is a broad, feather-light allegory set in idyllic Pepperland, where the gentle citizens are threatened by the nasty, music-hating Blue Meanies and their surreal arsenal of henchmen, with the Beatles enlisted to thwart the bad guys. Visually, designer Heinz Edelmann mixes the biomorphic squiggles, day-glo palette, and Beardsley-esque portraits of Peter Max with rotoscoped still photographs and film; Edelmann's animated collages also nod to Andy Warhol and Magritte in properly psychedelic fashion, which works wonderfully with such terrific songs.
High orthodox Beatlemaniacs can still grouse that the animated Fab Four are (literally) flat archetypes, but that's missing the sheer bloom of the music or the giddy, campy fun of the visuals. Making sense of the story is second to submerging blissfully in the sights and sounds of this video treat. --Sam Sutherland
Panasonic ES4026NC Pro Curve Rechargeable Double Blade Wet/Dry Men's Shaver, Blue/Yellow
Kenmore Canister 5055, 50557 and 50558, Panasonic Type C-5 Vacuum Bags MicroFiltration with -9 Pack by Envirocare
2 - Professional 35% Tooth Whitening Kits with New FCP Enamel Boosters / 20ML Optimized Formula By Watts Power White
Kingston DT101Y/4GB Flash Memory 4GB DataTraveler 101 with Secure Traveler (Yellow)
Sylvania GNET28001SO Meso 8.9" Netbook PC (1.6 GHz Intel Atom Processor, 1 GB RAM, 80 GB Hard Drive, Ubuntu OS) Yellow
Kingston DT101Y/8GB Flash Memory 8GB DataTraveler 101 with Secure Traveler (Yellow)
Apple iPod nano 8 GB Yellow (4th Generation) With a new curved design and great new features, iPod nano rocks like never before. Click to enlarge. |
Up to 2,000 songs, 8 hours of video, or 7,000 photos in your pocket. Click to enlarge. |
Just under a quarter-inch deep. Click to enlarge. |
Available in nine amazing colors; the (PRODUCT)RED nano is available exclusively through Apple. Click to enlarge. |
Enjoy album art in Cover Flow, games, videos, and photos in landscape mode. (Green nano shown here.) |
A Musical Genius
Say you're listening to a song you really like and want to hear other tracks that go great with it. The Genius Playlist feature finds the songs in your music library that go great together and makes a Genius Playlist for you. It's like having your own highly intelligent, personal DJ.
Find Your Music Faster
It's even easier to find the song you want to hear. Now you can view your album art in Cover Flow. Or just press and hold the Center button to browse by album or artist. When you find the right song, press the Center button to add it to your on-the-go playlist.
Rock and Roll Over
Tilt or turn iPod nano on its side, and you'll listen, watch, and play in new ways. You can flip through your album art with Cover Flow. Or, vertically speaking, see more albums and artists on the screen at one time.
Shake Your Groove Thing
Sometimes, we could all use a little unpredictability. And now you can shake to change your music. Just give iPod nano a shake, and it shuffles to a different song in your music library. You'll always be surprised by what you'll hear.
Let the Games Begin
Now you can get in on games made especially for iPod nano and the accelerometer. They respond to the way you move, so they're immersive, addictive, and a blast. The iPod nano comes with Maze, which lets you work your way through vast mazes by tilting and moving. You can find even more games on the iTunes Store.
Even Your Photos Rock
Pull hundreds of photos from your pocket and share them wherever you go. Hold iPod nano upright and see your photos in portrait view. Turn the player on its side to see them in landscape. Your photos look beautiful in their proper aspect ratio on the vibrant, 320-by-240-resolution display.
The World's Biggest Small Screen
Watching movies, TV shows, and videos is big fun on iPod nano. And the high-resolution picture looks crisp and vivid on the 2-inch widescreen display. So you can always have a little video with you.
Reduced Environmental Impact
The iPod nano embodies Apple's continuing environmental progress. It is designed with the following features to reduce environmental impact:
What's in the Box
iPod nano, earphones, USB 2.0 cable, dock adapter, quick start guide
Canon BCI-6Y Yellow Ink Tank
Belkin Sport Armband Case for iPod touch 2G (Navy/Yellow)
Women's Bean Project Three Gourmet Soup Bundle
Women's Bean Project Two Soups and Cornbread Bundle
Ortiz Bonito Del Norte Reserva De Familia Aged Tuna in Olive Oil 9.52 Oz.
Nerf N-Strike Vulcan EBF-25 Blaster - Yellow
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![]() This large, brightly colored Nerf gun shoots 3 darts per second.View larger. |
![]() 25-shot belt feeds through the gun for a rapid-fire onslaught. View larger. |
The darts are held inside an ammobox in a 25-shot belt, which is fed through the gun. You'll feel like Rambo when you carry the gun, or sit it on its tripod for taking out enemies by the bucketload. After we'd installed the required six D batteries (not included), we pulled the trigger to see the gun work methodically through our belt of darts. It took only 10 seconds to blast through the included 25 darts, flinging them thirty feet across the room. We wished there were more darts included in the box since it seemed a bit silly that we needed to spend a few minutes to pick up the ammo, and then reload them onto the belt, after shooting for only about ten seconds. A refill pack can be purchased separately, which, we think, would be a wise investment if you want to effectively beat your enemies.
The gun also has a single-shot mode that lets you shoot with extra precision. Rather than battery powered, you have to pull back on a spring-loaded lever, and then use the trigger release lever to shoot the dart. In our experience, you can achieve a little bit more distance this way than with the auto-fire mode.
Tactical Rail System Allows for Fun Additions
The Vulcan EBF-25 features the Nerf Tactical Rail System, allowing it to use most N-Strike accessories, such as the night vision Tactical light accessory for night-time missions.
For those interested in Nerf-fights, the Vulcan EBF-25 should be in everyone's artillery; the rapid-fire design gives players the advantage when engaging the enemy, and is ideal when it can be used on the back of a moving vehicle, or a stationary setting.
What's in the Box
Nerf Vulcan EVF-25 gun, tripod, ammobox, ammobelt.
Air Hogs Havoc Heli - Colors May Vary
Nerf N-Strike Switch Shot EX-3 Yellow
Bon-Aire BA121L 120V Air Compressor/Inflater
Wagan 400-Watt Power Dome Jumpstarter with Built-In Air Compressor and LED Utility Light
Clean-Rite 7-512 12-Pk Microfiber Cleaning Towels
The Little Yellow LeafAs all the other leaves float off and fly past, Little Yellow Leaf thinks, I'm not ready yet.
As the seasons change all around, Little Yellow Leaf holds on to the tree. Still not ready.
Will Little Yellow Leaf ever be ready?
This is a story for anyone who has ever been afraid of facing the unknown—and a celebration of the friends who help us take the leap.
Leading Change
Yellow Square: A Pop-up Book for Children of All Ages
Western Chief Toddler/Little Kid FDUSA Rain Boot
adidas Little Kid FS 180 Sport Shoe
Women's Zadie Rain Boots - Yellow
Wii Frontman Wireless Guitar - Yellow
Nintendo DS Lite Nerf Armor - navy blue/yellow
Spongebob Squarepants The Yellow Avenger
Western Digital My Passport Essential 160GB USB 2.0 Portable Hard Drive (Sunny Yellow)
Wonderful Wizard of Oz
Chester Creek Large Key Keyboard VisionBoard - Yellow
Flybar Foam Master Pogo Stick
![]() Fun, exciting way to get exercise. | ![]() Get some air and show your tricks. |
Fuzion Asphalt Ultimate Carving Machine Scooter
Victorinox Swiss Army Classic Pocket Knife About Swiss Army Knives
In 1884, Swiss cutler Karl Elsener set up shop in Ibach-Schwyz, installing a waterwheel in Tobelbach Brook to run his grinding and polishing machines. Thus began what would become the international brand name Victorinox, a combination of Victoria, for Elsener's mother, and "inox," or stainless steel. Today, Victorinox produces watches, luggage, clothing, and, famously, Swiss Army Knives. The original product dates to 1897, when Elsener patented the Swiss Officer's and Sports Knife he supplied to the Swiss Army. Following World War II, American servicemen and women shopping in PX stores shortened the name to Swiss Army Knife, which lives on in English-speaking countries around the world and has become a metaphor for versatility.
Pepsi-Cola Men's 1940's Vintage Hoodie
100% Cashmere Wool Super Soft Feel Scarf / Muffler - 125 Radiant Colors ! ( FREE SHIPPING ! )
Ingrid & Isabel Women's Maternity Everyday BellaBand
GoodYear 045 3/8-Inch x 50 Safety Yellow Rubber Hose 3/8 -Inch by 50-Feet 250 PSI With 1/4-Inch Ends
Atlas Homewares 4D100 1-3/4-Inch Yellow Sunflower Ceramic Knob, Ceramic